The SHOW OF SHOWS: Uncharted Territory

Friday July 25th at the Miramar (located on Milwaukee's fashionable East Side).
This is the first show of its kind. There have been plenty of Wrestling show that feature bands playing music. There have been shows featuring bands and poetry before as well. Even wrestling and poetry are no strangers to each other, who could forget The Genius or the linguistic magnificence of Slick?
My comment on all that: Phooey. This show will be the real thing. Real and genuinely unique to Milwaukee.
Included in the ticket price are free chapbooks of Karl Saffran's Dead Wrestler Poems. Karl wrote a complete cycle of sonnets a few years back in response to learning of just how many childhood icons had passed away since he last paid any mind to the sport of professional wrestling.
Competing in matches are Jason Dukes and Bobby Valentino, The McCoys and The Urban Horsemen, & J.P. and El Vato.
Playing live at the show are Ifihadahifi and Put Her In the Trunk.
Lakefront beer will be available to those with legal ID and good times are there for all no matter the age!
Tickets are just 12 bucks - a steal when you consider what's all included.

A road well traveled but not yet written about

The first Chapbook release by Teppichfresser Press is Jon Lohr's Watertown's Plank Road.

Jon has had poems in Burdock #4 and in the Blue Canary.

Jon also edits B-Squad and is an avid Brewers fan. Never hesitating to drink warm High-life or eat meat that has fallen on the ground. That may sound gross and weird but what may sound grosser and weirder is that I think that these traits somehow apply to his poems. They include the rough stuff without forgetting the movements that happen around that very roughness.

Best example is in the poem Dance The Seven Veils:

Salome danced around and around
her veil held steadily between her eyes

Leading to the conclusion -

The eyes of the head
remained open as she danced

And in the poem See My Blue Collared Hands there is a reflection on the transitions of life that sometimes reflect more than the transitions of the individual with the lines

Sirens cry through the night,
startling dreams of abandoned farms we left behind.

And a comment on the celebration of either self-mutilation or temporary pain (I don't know which) in the The Hunger Artist Retires.

You, biographer, find me at my picnic to write my story

There are some very fine illustrations by Jeremy Mericle and there's even a gesture to Araki Yassusada in the About the Author section that some bookstore employees have deemed controversial. I would have the reader be the judge.

There are about 100 copies printed if you'd like one contact burdockmagazine@gmail.com.

Burdock Profiles: Zack Pieper

The more I think about it doing contributor bios might be a little forced and strange so maybe I’ll just ramble about the person or something that that person has published.
I thought I’d begin with Zack Pieper since he will be reading in the Red-letter series at Woodland Pattern. Before I ever met Zack he was described to me as a “very good poet” and, occasionally, when that description is tossed around the word “young” is added as if to imply that he’s unknown and/or hasn’t done anything in terms of publishing and exploring his style. But, he is good. All the little publications I have bearing his name fall into the one of the oldest and rarest genres of poetry: re-readable.

Once, a few years ago, I called him for some reason I can’t recall and he was in the middle of writing something involving names from the Passion and Crucifixion of Jesus. He read a few of them over the phone and since it had nothing to do with why I called him I couldn’t offer much insight other than to say I thought they were funny. Not long after I received from either Zack or James Liddy a half-folded booklet with two staples saddling to make the spine. Called simply “Non-Apocryphal” it’s a collection of lines regarding people and ideas from Catholic history and scripture penned by Zack Pieper and James Liddy. It was marked inside as “A Procession (by 2 altar boys)”.

I’m not a fan of collaborative poetry in general mostly because it’s usually done for the sake of one poem and then it’s done online or in a classroom. But rather than attempt to speak to the collective consciousness, this little pamphlet of slogans, statements, and sneers collaborates to affect conversation. But here I am having typed more words than were in the thing to begin with.


My favorite by Liddy is Barabbas “He won the election.”

and my favorite from Zack is Luthur


“Private sin when applicable, public virtue when salable, and possibly a set of modest drive-thru windows for convenience. (if stain glass looks too pricey)”.


Zack Pieper has two poems in Burdock issue one, three in Burdock IV and contributed the special Hazard tribute issue an great piece called “Jim”.
For more info check out the little ditty about him that woodland pattern has up.


http://www.woodlandpattern.org/poems/zack_pieper01.shtml

What's up and what's next

The Spackle reading was a resounding success. In terms of getting people to show up with little notice and in terms of oatmeal cookies. Jon Lohr's book is out and will shortly be available in local bookstores if you'd like a copy just ask and ye shall receive. There will be a better feature as soon as the cover gets scanned but in the meantime I'm beginning to do make up work for old issues of Burdock in the form of contributor's bios. Not necessarily deep ones with all the accomplishments they've managed to rack up in terms of awards and where they've published, unless that's all I know about them that is. Not gossipy either but just little paragraphs on why I picked them or their poetry. Maybe what they've got coming up on the horizon as far as readings or books coming out or even just the next place they will appear. Granted some folks that contributed have their own blogs for that but the majority of them do not and damn it all this thing needs to start getting hits!

Upcoming Event

On June 6th the Spackle Gallery will be hosting a reading featuring Jim Chapson, John Vanderhoef, Kristin Markowski, and Jon Lohr.

It will also be the official release of Jon Lohr's chapbook Watertown's Plank Road and a few broadsides.
If you live in Milwaukee this is right off the 15 bus line.

Spackle is located at

2674 S. Kinnickinnic Avenue

Milwaukee WI 53207

or check out

www.spacklegallery.com

info@spacklegallery.com

Greetings

This is the inaugural blog (inblogural) for Teppichfresser Press.

Some background information:
Teppichfresser gets its name from the poem of the same name published in a chapbook by James Liddy and Keith Gaustad in 2004. The title of the chapbook is “Songs on the Plane Carrying Hess From Germany” which is also the title of the long poem by James Liddy. The section by Keith Gaustad (me) was called Teppichfresser and the press was jokingly given the same name.
Then in 2006 I started up a magazine called Burdock. Rather than name the press Burdock Press I thought to keep the name Teppichfresser.
There are as of today 4 issues of Burdock out in the wide world.

This Blog will hopefully serve as a way of getting the word out on things related to the magazine and to other chapbooks in the works.
Until next time, keep chewing things over.